Belicosa

"People love Hubble images. It tells them where they came from. It tells them where they’re going.”

felixinclusis:

tomb999999: Egon Schiele reverse [see original here]

felixinclusis:

tomb999999Egon Schiele reverse [see original here]

sensationalizm:

I like how this is just My Bloody Valentine’s Tremolo EP cover but the ‘artist’ cites it as original work

sensationalizm:

I like how this is just My Bloody Valentine’s Tremolo EP cover but the ‘artist’ cites it as original work

90spunkrockfeminism:

Riot grrrls at a pro-choice demonstration in front of the Supreme Court in 1992

90spunkrockfeminism:

Riot grrrls at a pro-choice demonstration in front of the Supreme Court in 1992

flyartproductions:

MY ANACONDA DON’T WANT NONE UNLESS YOU GOT BUNS HUN
Lilith with a snake (1886), John Collier / Anaconda, Nicki Minaj

flyartproductions:

MY ANACONDA DON’T WANT NONE UNLESS YOU GOT BUNS HUN

Lilith with a snake (1886), John Collier / Anaconda, Nicki Minaj

theswinginsixties:

Francoise Hardy

theswinginsixties:

Francoise Hardy

aquemineye:

And lately I’ve forgotten who I am
Need to let my energy just drain away
And now my mind is working overtime
It’s been a long day…

labellefilleart:

 Pandora, John William Waterhouse 

labellefilleart:

 Pandora, John William Waterhouse 

dynamicafrica:

Hazy scenes of life in various parts of Algeria photographed by Franco-Algerian photographer Bruno Boudjelal over a ten-year period, starting in 1993.

Published in his 2009 book Disquiet Days / Jours intranquilles, the series consists of a collection of a highly personal visual perspective of Boudjelal’s journey across a country he had become unfamiliar with in some ways.

Through this series of intimate complex interactions, these images speak profoundly to Boudjelal’s position as an insider-outsider in Algeria, which can often be seen through the distance illustrated between the eye of Boudjelal’s inquisitive lens and the subjects in his photographs.